 Written by Lauryn Smith
If you have not already, I suggest picking up a copy of Nancy Horan's "Loving Frank" so that you, like so many architecture aficionados, can come to understand the man who is Frank Lloyd Wright. “Loving Frank” is Horan’s first historical novel. In it, she tells Wright's tale through the lens of Mamah Borthwick Cheney, who is best known for her love affair with the famed architect. The book provides a unique glimpse into Wright's life, but Horan demonstrates that Mamah is also an interesting a character, and for reasons other than her scandalous romance with the man whom the American Institute of Architects would come to deem "the greatest American architect of all time." Horan gets points for doing two stand-out characters justice in one true-to-life novel. Told chronologically, “Loving Frank” begins in 1903, the year in which Wright is commissioned to design Mamah’s new home in Oak Park, which is just outside of Chicago. During the construction of the house, Mamah and Wright develop an attraction, an attraction that draws both from their respective spouses and children. Together they begin a physically and emotionally tumultuous journey, which comes to a tragic end. I desperately want to tell you what happens, but talk about a spoiler! Let's move on.
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 Written by Lauryn Smith
Memoirs are not usually my thing—especially celebrity memoirs. The story always seems the same. Modest beginnings, anything-but-modest endings and a mix of hard work, faith and luck in between. Cliché. Naturally I was skeptical about singer-songwriter Sara Bareilles’s “Sounds Like Me,” a book I only learned about when Reviewer Beth Winters had me tag along to a lecture/book signing that was part of Bareilles’s book tour. During the lecture, I learned that Bareilles is delightfully down-to-earth, spunky and relatable. While reading her book, I learned that her writing demonstrates these same traits. It is worth saying that I did not know much about Bareilles or her music prior to reading “Sounds Like Me,” but I think that was good for me. I had no preconceived notions about Bareilles or her story, and by the end of the book, I possessed a degree of familiarity, which prompted voluntary exploration into her music and ideals, exploration catalyzed solely by pure interest. I went in with no expectations, and I came out searching for her albums on Spotify.  Written by Lauryn Smith
Everyone knows Jekyll and Hyde. They have been portrayed everywhere, from Broadway’s stage to PBS’s Arthur. The story of Jekyll and Hyde is unprecedented, a tale depicting an omnipresent internal struggle—good versus evil. Despite its spread, it was not until recently that I actually read Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde.” Heck, I listened to the audiobook before finally venturing into text itself. When they are hanging out in your “to read” pile, Stevenson’s stories can be daunting. Sure, his works are classics. But they are also from the nineteenth century, so the language is not the most accessible to modern readers. Or so I thought. We will talk about that in a moment, but first, let’s get familiar with the story. Described as both a thriller and an allegory, “The Strange Case of Dr. Jekyll and Mr. Hyde” is an anecdote that demonstrates the duality of man. Predominantly told from the viewpoint of the honorable lawyer Gabriel John Utterson, the story depicts the struggle of Henry Jekyll, a highly respected doctor with suppressed desires that go against public mores. A man of chemistry, Jekyll concocts a potion that he uses to transform himself, to free his repressed, more wicked self, whom he calls Edward Hyde.  Written by Beth Winters
Yes, it has been a while. But there have been so many new books to choose from that I could barely choose one! No worries, though. I picked. I read. And I… disliked. I just finished reading “Passenger” by Alexandra Bracken, a book I really wanted to like. “Passenger” has a premise that I thought I was sure to love. It involves time travel, pirates, adventure, musicians—what more could I ask for? However, so many parts of this book are not what I expected, and not in a good way. “Passenger” is the first book in a duology. I know that the first book in any series needs to facilitate world-building. That said, though, there is a little too much world-building in this one. The beginning of Bracken’s story is simple. A musician goes to a concert. A musician ends up time traveling. A musician demands answers. The part where said musician, Etta Spencer, demands answers is about 30 pages in. Then, it feels as though you are reading through 40 pages that detail how Etta and another girl do nothing more than answer each other’s questions.  Written by Lauryn Smith
Sara Gruen’s “Water for Elephants” is my favorite book. It is the best. The absolute best. The story’s plot is unusual, but, man, is it presented well. “Water for Elephants” is the fictional story of Jacob Jankowski, who in his twenties loses his parents in a car crash. Despondent and penniless, he walks out of his final veterinary school examination, and after hours of wandering, jumps a random freight train. It is what this train holds that changes his life. Gruen presents Jacob’s tale as if it were being told by his adult self, or rather his 90- (or 93-) year-old self. Widowed and alone in a nursing home, Jacob rejects the life he is now forced to live—mushy and flavorless food, tranquilizers, sponge baths, supervised trips to the bathroom. But one day, the circus sets up shop in the parking lot across the street, exciting all of the facility's residents, Jacob in particular. Why? Because that train he jumps as a young man belongs to the Benzini Brothers Most Spectacular Show on Earth—a traveling circus. As luck would have it, the Benzini show needs a veterinarian, giving Jacob enjoyable, albeit dirty, work. In this glamorous, lively retreat in a United States afflicted with prohibition and the Depression, Jacob finds love and passion—as well as wickedness.  Written by Lauryn Smith
Jack London’s “The Call of the Wild” is an old tale, a children’s story told from a sled dog’s point of view. And it is remarkable. Writing from the perspective of Buck, an impressive St. Bernard and Shepard mix, London gets readers to feel all the feels as he tells about the 1890s Klondike Gold Rush in the Yukon. To create the piece of historical fiction, he uses the knowledge he gathered during his own year of prospecting gold in the harsh, frigid territory. London focuses on the life of Buck, who is stolen from his lush California home in order to be sold to prospectors and taken to traverse the icy trails of Alaska and northern Canada. Buck’s journey, which involves beatings with a club, new masters, fights for food, brawls with other sled dogs and struggles for survival, incites in him the instincts of his wild ancestors and calls on his strength of spirit. The trek transforms him from loyal pet to uninhibited, and at times aggressive, animal. This adventure story, artfully told with beautifully simple language, is definitely appealing to all ages. I can go on and on describing ways in which “The Call of the Wild” is great for young people to read, like its lessons regarding adaptability, inner strength, respect for authority and respect for nature. But this is no cookie cutter kiddy book.  Written by Lauryn Smith
Hopefully my review of Ammon Shea’s “Bad English” leaves no stone unturned, literally bemusing you because it ain’t boring irregardless of your interest in linguistics. Did anyone cringe at my depraved use of the English language in that opening sentence? Good. I intended that, and Shea was my inspiration. In his nonfiction book “Bad English,” Shea delineates the language's history, illustrating the worries, objections and complaints of grammarians throughout the ages. In doing so, he intentionally commits linguistic crimes and provides examples of historic and contemporary linguistic "mistakes," ultimately concluding that English is a hot mess but in the best way possible. Shea subtly yet successfully argues against those who take a prescriptive approach to English. He demonstrates that it is not necessary to fight over language. Instead, he shows that language is alive, that it is an interesting subject for study, debate and conversation. According to Shea, there is no right or wrong way to use English as every rule has evidence of being broken. Within the text, Shea presents both sides of the story, citing supporters and detractors of various of English’s canons. To clarify his points, he picks individual words and grammatical tendencies and follows their histories, explaining arguments and counterarguments surrounding their usage. He covers some expected terms, such as “hopefully,” “literally” and “irregardless,” but also less common ones, such as “very,” “donate” and “belittle.”  Written by Lauryn Smith
“The Divide” by Nicholas Evans is one of those books you can pick up and get lost in, best read on a cloudy day with a cup of hot tea and a sky-high pile of blankets. OK, that sounds a little ostentatious. Let me explain. “The Divide” is a mellow, meandering read. In it, Evans evokes a rustic, hospitable lifestyle, effortlessly inviting readers to experience Montana’s mountains, ranches and genial residents. After reading the book, it is easy to want to run off to a cozy cabin in the woods, take the trails on horseback and then porch it with that steaming cup of tea I mentioned. The fictional story concerns the Coopers, a New York family that spends two weeks each summer on a remote ranch in Montana. On one such trip, the father, Ben, meets an artist from Santa Fe named Eve, for whom he leaves his wife and two teenagers. Around the time Ben walks out on his family, his daughter, Abbie, moves to Montana for college. While still vulnerable from the breaking of her family, Abbie gets involved with a group of radical conservationists, an involvement that ultimately leads to her being wanted for murder and acts of ecoterrorism.  Written by Lauryn Smith
I have been eager to get my hands on Donna Tartt’s third novel, “The Goldfinch,” for quite some time, and recently something fantastic happened. Reviewer Beth Winters surprised me with a copy on my birthday! I breezed through the book, and Miss Tartt, I would be honored to shake your hand. You might be familiar with Tartt’s second novel, “The Secret History.” That book was published in 1992. “The Goldfinch” was published in 2013. Tartt clearly takes her time, but it is well worth the wait. “The Goldfinch” is more than a story. It is a work of art. The novel depicts the fictional life and times of Theodore (Theo) Decker. One day when Theo is 13 years old, he and his mother visit a New York art museum. There Theo's mother dies in an unfathomable explosion. During the scramble of events following the outburst, Theo encounters a dying man who ultimately has a profound effect on his life. The key element: a painting by Carel Fibritius called The Goldfinch, a painting the man implores Theo to take out of the crumbling museum. Tartt transforms what could have easily been a common tale involving broken families, child services, addiction and wealth disparities into a tantalizing story that also involves stolen art, the act of coming of age and philosophical musings.  Written by Lauryn Smith
Do you believe in magic? Not the magic in a young girl’s heart, but the magic that is alternative medicine. (Sorry, had to.) I never used to oppose the magic of natural remedies, but then I read Paul A. Offit’s accessible and engaging nonfiction book “Do You Believe in Magic?”. Now I am much more leery. Alternative medicine, which includes things like megavitamins, acupuncture and homeopathy, is not all it is cracked up to be, so says Offit in his well-researched, objectively written book on the matter. In fact, Offit presents insurmountable science-based evidence that many forms of alternative medicine do more harm than good. The events Offit chooses to portray in the book illustrate why alternative medicine has become widely accepted as a desirable alternative to mainstream medicine. To many, it is definite, spiritual, meaningful and empowering, and it stems from ancient wisdom... right? Offit explains that there is no evidence that alternative medicine does what it claims to do, that is, heal. I repeat, no evidence. Zip. Nada. Goose egg. (No, personal testimonials do not count as evidence.) In fact, Offit shows that the few studies out there—blame the scarcity on politics—often support the exact opposite. The evidence is not limited to a single arena. Chiropractic manipulations can result in torn arteries. Supplements can cause psychosis, heart arrhythmias, brain swelling and other problems. Megavitamins can increase the risk of cancer. |