![]() Written by Lauryn Smith Imagine experiencing another version of your life, one in which you made different, potentially life-altering decisions. Some aspects might be better, others worse. Perhaps you do not notice much of a change. Maybe your life is catastrophically altered. Black Crouch lays the groundwork for this thought experiment in his alternate universe book, “Dark Matter.” For me, reading science fiction has never been so much fun. This book is un-put-down-able. You know those books that you cannot wait to get back to, even while enjoying other activities? “Dark Matter” is one of those. Crouch details the story of Jason Dessen, a physics teacher at a Chicago college. I mean, a renowned theoretical physicist. Wait. Dessen is actually both, and each persona lives in a different dimension. Crouch establishes the former as the story’s protagonist. This Dessen, AKA Jason 1, lives a quiet, blissful, content life with his wife and son. One day while walking home from a local bar, he is abducted and taken to an enigmatic warehouse, where, amidst the confusion of events, he loses consciousness. He wakes to praise from a handful of individuals he does not recognize yet who somehow know him. In fact, he comes to realize that there is a lot about this place, this life, he does not recognize, and much of what he does find familiar is distorted in some way, shape or form.
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![]() Written by Lauryn Smith One book, two authors. I must have been living under a rock, because apparently stories written by multiple authors are relatively common. Case in point: "Nightfall" by Jake Halpern and Peter Kujawinski. (Shout out to G.P. Putnam's Sons Books for Young Readers for introducing me to "Nightfall," my first dual-authored novel. Thank you for the free copy!) “Nightfall” is a piece of young adult fiction that portrays the peculiarities of the remote, forested island of Bliss. On the island, Sunrise comes only every 28 years, resulting in 14 years of Day and 14 years of Night. The island's residents spend weeks preparing for Nightfall, completing a number of odd rituals, such as removing locks from houses, leaving doors partially open and strategically rearranging furniture. Come Nightfall, they hitch rides on furrier ships in order to flee to the Desert Lands, where they will live for the 14-year interim. That is just how things work on Bliss, no questions asked. Any and all reasoning is shrouded in mystery. No one understands or speaks of what happens on the island during the cold years of Night, but everyone knows that the place should be avoided. This Nightfall, however, an unfortunate few are left behind. Once the furrier boats take off, three teens—Marin, her twin brother Kana and their mutual friend Line—are left to their own devices, and they come to understand the mysteries of the island uncomfortably well. ![]() Written by Lauryn Smith Everyone knows Jekyll and Hyde. They have been portrayed everywhere, from Broadway’s stage to PBS’s Arthur. The story of Jekyll and Hyde is unprecedented, a tale depicting an omnipresent internal struggle—good versus evil. Despite its spread, it was not until recently that I actually read Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde.” Heck, I listened to the audiobook before finally venturing into text itself. When they are hanging out in your “to read” pile, Stevenson’s stories can be daunting. Sure, his works are classics. But they are also from the nineteenth century, so the language is not the most accessible to modern readers. Or so I thought. We will talk about that in a moment, but first, let’s get familiar with the story. Described as both a thriller and an allegory, “The Strange Case of Dr. Jekyll and Mr. Hyde” is an anecdote that demonstrates the duality of man. Predominantly told from the viewpoint of the honorable lawyer Gabriel John Utterson, the story depicts the struggle of Henry Jekyll, a highly respected doctor with suppressed desires that go against public mores. A man of chemistry, Jekyll concocts a potion that he uses to transform himself, to free his repressed, more wicked self, whom he calls Edward Hyde. ![]() Written by Lauryn Smith I normally do not go for contemporary romance or chick lit like Beth Harbison’s “If I Could Turn Back Time.” Yet here I am, sharing my review of Harbison’s “If I Could Turn Back Time.” (Thanks to Macmillan Audio for the free audiobook!) Harbison’s book is what I like to call a beach read. It is lighthearted, has some entertaining premises and is easy to grasp, but it is not life-altering, mind-boggling or gush-worthy. “If I could Turn Back Time” is not bad—it is just not great. Harbison tells the story of career savvy Ramie Phillips, a soon-to-be 38-year old who in a moment of recklessness knocks her head and falls unconscious, only to wake up in her childhood home in Maryland as her 17-year-old self. Thrust back in time, the businesswoman is forced to relive her past, which gives her the opportunity to contemplate the choices she has made and to reconsider what she truly desires. Writing from Ramie’s perspective, Harbison illustrates what it is like for middle-aged women to doubt their decisions and to endlessly wonder what their lives would be like under different circumstances. She investigates modern women's emotions, specifically those of women who prioritize growing their careers over finding love and establishing families. |
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