 Written by Lauryn Smith
I am not likely to win any friends with my review of “A Court of Thorns and Roses” by Sarah J. Maas. Recommended to me by another Reviewer, this book is a Young Adult fan favorite, but I question whether I can get on board. Before you ask, yes, I kept an open mind while dutifully reading through to the very last page (a necessity, since I swore to read its sequel, which I have been assured is much better than its predecessor). “A Court of Thorns and Roses” is the first in Maas’s A Court of Thorns and Roses series. An amalgamation of “Beauty and the Beast,” “Fifty Shades of Grey,” “Twilight,” a touch of “The Lion, the Witch and the Wardrobe” and a pinch of “The Hunger Games,” this book exemplifies fan fiction, and not entirely originally (more on this later). In it, a teenaged, wholly human diamond in the rough named Feyre kills a fearsome wolf in the woods and soon after is snatched from her derelict home by a handsome and fierce faerie, because, surprise, that wolf was actually a faerie, too. But her captor, Tamlin, is no ordinary faerie. He is a High Fae—a normal faerie but more striking, more magical and more powerful. Now a forced resident of Tamlin’s estate, Feyre learns that the kingdom’s residents are in turmoil and at risk of losing their powers, effects of a curse that was put on the land. Another effect? The faeries all have masquerade masks permanently stuck to their faces. Naturally, Feyre and Tamlin bond and fall in love, and Feyre’s sacrifice on Tamlin’s behalf restores peace to the land.
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 Written by Lauryn Smith
Immediately after finishing Donna Tartt’s “The Goldfinch” earlier this year, I thought “this-author-and-her-books-are-so-good-I-need-more-like-now.” Luckily, I own a copy of “The Secret History,” which I first read back in high school. Reading it again, my conviction that this woman will forever be one of my favorite authors is even stronger. “The Secret History” is Tartt’s debut novel. In it, she tells the fictional tale of a tightly knit, isolated group of six students who study Greek at an elite New England college. Yawn? I think not. Tartt presents the novel’s entire premise from the get-go, so I am not giving away a major plot point when I tell you that one member of the group is murdered by the others. “The Secret History” is commonly referred to as a “murder mystery in reverse.” Once readers are alerted of the murder, the remainder of the book explores the execution and consequences of the crime, as well as the reason behind it. The narrative is presented as a years-later reflection from the perspective of one of the students, Richard Papen. As he details his college experience, he focuses on the peculiarities of his Greek classmates and Julian, the group’s eccentric, highly revered professor, who is also, unconventionally, the group's only professor. Richard relates the nuanced elements of the many and varied interactions he has with each member of the clique, and these elements incessantly compound until they explode into one of the best twist endings you will ever encounter.  Written by Lauryn Smith
Given that Sara Gruen authored “Water for Elephants” (one of my favorite books, in case you missed it!), there was no question that a review of her latest novel “At the Water’s Edge” would appear on BNR sooner or later. After a three-month hiatus, the time has come. Though not as addictive as “Water for Elephants,” “At the Water’s Edge” is a pleasant read. It is not much of a page-turner, and it includes a host of spoiled, rather dull characters, but overall, it is a smooth, interesting, well-written narrative with occasional complexity. Like some of Gruen’s previous novels, “At the Water’s Edge” is a period piece, this time set in the Scottish Highlands during the 1940s, right in the midst of World War II. The story follows the life of a rambunctious, privileged young Philadelphian woman named Madeline (Maddie) Hyde. After getting out of hand at one too many social gatherings, Maddie and her husband, Ellis, are financially cut off from Ellis’s family. Given their predicament, Maddie loyally accompanies her husband, along with their close friend Hank, on a trip to Scotland to complete a mission the men believe will ultimately restore the couple’s determinedly reckless lifestyle.  Written by Lauryn Smith
Jhumpa Lahiri is one of the most talented writers I have ever had the pleasure of reading. I have now read her book of fictional short stories “Interpreter of Maladies” three times, and the latest instance has only reinforced my admiration. Lahiri’s writing is beautiful and effortless. Crafting a short story is no easy feat, yet each within the “Interpreter of Maladies” collection is stunning. The title story involves the Das family, composed of a first-generation American couple of Indian descent and three young children, as they tour India. Lahiri tells the story from the perspective of Mr. Kapasi, the family’s local tour guide and driver. It is soon revealed to the family that Mr. Kapasi also works as an interpreter for a physician who does not speak his patient’s languages. As he is able to speak many of the languages of India, Mr. Kapasi translates people’s woes for them, a skill for which Mrs. Das deems him an “interpreter of maladies.” Something about the Das family captivates Mr. Kapasi. He finds Mrs. Das particularly enamoring, partly due to of the special attention she pays him relative to her husband and children. Yet as she continues to romanticize Mr. Kapasi's role of medical confidant, she begins to reveal her own unexpected confidences, and for Mr. Kapasi, the situation turns sour.  Written by Lauryn Smith
The first and last graphic novel I read was for a contemporary fiction class in college. From that experience, I learned that there are some things that pictures, or a combination of pictures and text, can better accomplish than text alone. I used to think that graphic novels were only for young readers, but I have since changed my mind—graphic novels can actually be full of meaning. So when Reviewer Beth Winters suggested I read “Nimona” by Noelle Stevenson, I agreed. I was not disappointed. "Nimona,” which falls in the young adult genre, is a full-color graphic novel based on Stevenson’s web comic of the same name. In this work of fiction, there are heroes and villains and dragons and science and contemporary ideology. Essentially, Stevenson’s story consists of classic premises sprinkled with modernity. The eponymous character, young in relation to the book’s other characters, one day shows up at the home of bad guy Lord Ballister Blackheart asking to be his sidekick. Reluctantly, Blackheart agrees. He and Nimona, who turns out to be a skilled shapeshifter, make and execute "villainous" plans, one of which leads them to discover that the powerful Institution of Law Enforcement is up to no good. Complicating matters is the fact that Blackheart’s once good friend Sir Ambrosius Goldenloin works for the Institution. Naturally, chaos ensues.  Written by Lauryn Smith
If you have not already, I suggest picking up a copy of Nancy Horan's "Loving Frank" so that you, like so many architecture aficionados, can come to understand the man who is Frank Lloyd Wright. “Loving Frank” is Horan’s first historical novel. In it, she tells Wright's tale through the lens of Mamah Borthwick Cheney, who is best known for her love affair with the famed architect. The book provides a unique glimpse into Wright's life, but Horan demonstrates that Mamah is also an interesting a character, and for reasons other than her scandalous romance with the man whom the American Institute of Architects would come to deem "the greatest American architect of all time." Horan gets points for doing two stand-out characters justice in one true-to-life novel. Told chronologically, “Loving Frank” begins in 1903, the year in which Wright is commissioned to design Mamah’s new home in Oak Park, which is just outside of Chicago. During the construction of the house, Mamah and Wright develop an attraction, an attraction that draws both from their respective spouses and children. Together they begin a physically and emotionally tumultuous journey, which comes to a tragic end. I desperately want to tell you what happens, but talk about a spoiler! Let's move on.  Written by Lauryn Smith
Everyone knows Jekyll and Hyde. They have been portrayed everywhere, from Broadway’s stage to PBS’s Arthur. The story of Jekyll and Hyde is unprecedented, a tale depicting an omnipresent internal struggle—good versus evil. Despite its spread, it was not until recently that I actually read Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde.” Heck, I listened to the audiobook before finally venturing into text itself. When they are hanging out in your “to read” pile, Stevenson’s stories can be daunting. Sure, his works are classics. But they are also from the nineteenth century, so the language is not the most accessible to modern readers. Or so I thought. We will talk about that in a moment, but first, let’s get familiar with the story. Described as both a thriller and an allegory, “The Strange Case of Dr. Jekyll and Mr. Hyde” is an anecdote that demonstrates the duality of man. Predominantly told from the viewpoint of the honorable lawyer Gabriel John Utterson, the story depicts the struggle of Henry Jekyll, a highly respected doctor with suppressed desires that go against public mores. A man of chemistry, Jekyll concocts a potion that he uses to transform himself, to free his repressed, more wicked self, whom he calls Edward Hyde.  Written by Lauryn Smith
Sara Gruen’s “Water for Elephants” is my favorite book. It is the best. The absolute best. The story’s plot is unusual, but, man, is it presented well. “Water for Elephants” is the fictional story of Jacob Jankowski, who in his twenties loses his parents in a car crash. Despondent and penniless, he walks out of his final veterinary school examination, and after hours of wandering, jumps a random freight train. It is what this train holds that changes his life. Gruen presents Jacob’s tale as if it were being told by his adult self, or rather his 90- (or 93-) year-old self. Widowed and alone in a nursing home, Jacob rejects the life he is now forced to live—mushy and flavorless food, tranquilizers, sponge baths, supervised trips to the bathroom. But one day, the circus sets up shop in the parking lot across the street, exciting all of the facility's residents, Jacob in particular. Why? Because that train he jumps as a young man belongs to the Benzini Brothers Most Spectacular Show on Earth—a traveling circus. As luck would have it, the Benzini show needs a veterinarian, giving Jacob enjoyable, albeit dirty, work. In this glamorous, lively retreat in a United States afflicted with prohibition and the Depression, Jacob finds love and passion—as well as wickedness.  Written by Lauryn Smith
Jack London’s “The Call of the Wild” is an old tale, a children’s story told from a sled dog’s point of view. And it is remarkable. Writing from the perspective of Buck, an impressive St. Bernard and Shepard mix, London gets readers to feel all the feels as he tells about the 1890s Klondike Gold Rush in the Yukon. To create the piece of historical fiction, he uses the knowledge he gathered during his own year of prospecting gold in the harsh, frigid territory. London focuses on the life of Buck, who is stolen from his lush California home in order to be sold to prospectors and taken to traverse the icy trails of Alaska and northern Canada. Buck’s journey, which involves beatings with a club, new masters, fights for food, brawls with other sled dogs and struggles for survival, incites in him the instincts of his wild ancestors and calls on his strength of spirit. The trek transforms him from loyal pet to uninhibited, and at times aggressive, animal. This adventure story, artfully told with beautifully simple language, is definitely appealing to all ages. I can go on and on describing ways in which “The Call of the Wild” is great for young people to read, like its lessons regarding adaptability, inner strength, respect for authority and respect for nature. But this is no cookie cutter kiddy book.  Written by Lauryn Smith
“The Divide” by Nicholas Evans is one of those books you can pick up and get lost in, best read on a cloudy day with a cup of hot tea and a sky-high pile of blankets. OK, that sounds a little ostentatious. Let me explain. “The Divide” is a mellow, meandering read. In it, Evans evokes a rustic, hospitable lifestyle, effortlessly inviting readers to experience Montana’s mountains, ranches and genial residents. After reading the book, it is easy to want to run off to a cozy cabin in the woods, take the trails on horseback and then porch it with that steaming cup of tea I mentioned. The fictional story concerns the Coopers, a New York family that spends two weeks each summer on a remote ranch in Montana. On one such trip, the father, Ben, meets an artist from Santa Fe named Eve, for whom he leaves his wife and two teenagers. Around the time Ben walks out on his family, his daughter, Abbie, moves to Montana for college. While still vulnerable from the breaking of her family, Abbie gets involved with a group of radical conservationists, an involvement that ultimately leads to her being wanted for murder and acts of ecoterrorism. |